Through Time

A film about collecting; about the glass fossil; about consolation and about procreation. A pale face directs its voice towards the audience and states four assertions distorted by emotions. At the same time, delicate cracks in the mask allow a foreshadowing of that silence, which ultimately wraps all of us in its nostalgic warmth. Credits: A film by Jeremias Altmann with Violetta Zupančič 2018 Music: Johannes Brahms – Op. 45 Ein Deutsches Requiem – 1. Selig sind die da Leid tragen The Holden Consort and Orchestra Choir (CC) Technical Data: 13 minutes 1920 x 1080p HD, 25fps, 48kHz stereo

Through Time – video stills; HD, 13 mins; 2018

 

 

 

Genes

  • Brunhilde Krojer / Grandmother; 76 x 106 cm; charcoal and chalk on paper; 2018
    Brunhilde Krojer / Grandmother; 76 x 106 cm; charcoal and chalk on paper; 2018
  • Rudolf Altmann / Grandfather; 76 x 106 cm; charcoal and chalk on paper; 2018
    Rudolf Altmann / Grandfather; 76 x 106 cm; charcoal and chalk on paper; 2018
  • Anna Hahn / Grandmother; 76 x 106 cm; charcoal and chalk on paper; 2018
    Anna Hahn / Grandmother; 76 x 106 cm; charcoal and chalk on paper; 2018
  • Franz Wagner / Grandfather; 76 x 106 cm; charcoal and chalk on paper; 2018
    Franz Wagner / Grandfather; 76 x 106 cm; charcoal and chalk on paper; 2018
  • Genes; 76 x 106 cm; charcoal and chalk on paper; 2018
    Genes; 76 x 106 cm; charcoal and chalk on paper; 2018

 


 

 

Explorations

  • Eruption; 130 x 90 cm; oil on canvas; 2019
    Eruption; 130 x 90 cm; oil on canvas; 2019
  • The Backyard Portal; 18 x 24 cm; oil on canvas; 2019
    The Backyard Portal; 18 x 24 cm; oil on canvas; 2019
  • Open Ground; 18 x 24 cm; oil on canvas; 2019
    Open Ground; 18 x 24 cm; oil on canvas; 2019
  • City of Glass and Clouds; 18 x 24 cm; oil on canvas; 2019
    City of Glass and Clouds; 18 x 24 cm; oil on canvas; 2019
  • Forest Shelter; 18 x 24 cm; oil on canvas; 2019
    Forest Shelter; 18 x 24 cm; oil on canvas; 2019

 


 

Hard Work

  • Nozzlebox 3D; 26 x 31 x 4 cm; 2018
    Nozzlebox 3D; 26 x 31 x 4 cm; 2018
  • Nozzlebox 3D; 26 x 31 x 4 cm; 2018
    Nozzlebox 3D; 26 x 31 x 4 cm; 2018
  • Nozzlebox 3D; 26 x 31 x 4 cm; 2018
    Nozzlebox 3D; 26 x 31 x 4 cm; 2018
  • Nozzlebox 3D; 26 x 31 x 4 cm; 2018
    Nozzlebox 3D; 26 x 31 x 4 cm; 2018
  • Nozzlebox 3D; 10 boxes; 26 x 31 x 4 cm; 2018
    Nozzlebox 3D; 10 boxes; 26 x 31 x 4 cm; 2018
  • Nozzlebox 2D; Etching on Chest; plate size 26 x 31 cm, paper size 39 x 52 cm; edition 20; each page hand-coloured; 2018
    Nozzlebox 2D; Etching on Chest; plate size 26 x 31 cm, paper size 39 x 52 cm; edition 20; each page hand-coloured; 2018
  • Nozzlebox 2D; Etching on Chest; plate size 26 x 31 cm, paper size 39 x 52 cm; edition 20; each page hand-coloured; 2018
    Nozzlebox 2D; Etching on Chest; plate size 26 x 31 cm, paper size 39 x 52 cm; edition 20; each page hand-coloured; 2018
  • Nozzlebox 2D; Etching on Chest; plate size 26 x 31 cm, paper size 39 x 52 cm; edition 20; each page hand-coloured; 2018
    Nozzlebox 2D; Etching on Chest; plate size 26 x 31 cm, paper size 39 x 52 cm; edition 20; each page hand-coloured; 2018

Nozzlebox 3D

10 Boxes; 26 x 31 x 4 cm; 2018 When ceating large scale murals with spray cans, there’s no way around the usage of ink nozzles or spray caps. Once a nozzle clogs, the spray cap must be discarded – or, if it is a particularly beautiful specimen, be archived.

Nozzlebox 2D

Etching on copper; 26 x 31 cm; edition of 20; each sheet is hand-coloured; 2018 An etching plate formatted identically to the 3D boxes helps to create two-dimensional equivalents. The 20 pieces of the edition are individually hand-coloured and become, sheet by sheet, a well connected arrangement of colourful spray caps. The nozzle looked at as a micro painting.

 

Studio Panel

Paint and objects on board, 2017 to 2018 Still life from the studio. Nothing is allowed to disappear.

 

  • Studio Panel; 33 x 28 cm; paint and objects on canvas, 2017 to 2018
    Studio Panel; 33 x 28 cm; paint and objects on canvas, 2017 to 2018
  • Studio Panel; 29 x 24 cm; paint and objects on canvas, 2017 to 2018
    Studio Panel; 29 x 24 cm; paint and objects on canvas, 2017 to 2018
  • Studio Panel; 33 x 28 cm; paint and objects on canvas, 2017 to 2018
    Studio Panel; 33 x 28 cm; paint and objects on canvas, 2017 to 2018
  • Studio Panel; 26 x 36 cm; paint and objects on canvas, 2017 to 2018
    Studio Panel; 26 x 36 cm; paint and objects on canvas, 2017 to 2018
  • Studio Panel; 65 x 27 cm; paint and objects on canvas, 2017 to 2018
    Studio Panel; 65 x 27 cm; paint and objects on canvas, 2017 to 2018
  • Studio Panel; 65 x 27 cm; paint and objects on canvas, 2017 to 2018
    Studio Panel; 65 x 27 cm; paint and objects on canvas, 2017 to 2018

Hand Palette

2009 to 2019

 

  • Hand Palette; 2009 to 2019
    Hand Palette; 2009 to 2019
  • Hand Palette; 2009 to 2019
    Hand Palette; 2009 to 2019
  • Hand Palette; 2009 to 2019
    Hand Palette; 2009 to 2019
  • Hand Palette; 2009 to 2019
    Hand Palette; 2009 to 2019
  • Hand Palette; 2009 to 2019
    Hand Palette; 2009 to 2019

Little Chaos

Oil on canvas; 24 x 18 cm; 2017 to 2018 Still life from the studio. The background noise of disorder accompanies every location where passion happens. Therefore here too. 

 

  • From the Series: My Little Chaos; 24 x 18 cm; oil on canvas; 2017
    From the Series: My Little Chaos; 24 x 18 cm; oil on canvas; 2017
  • From the Series: My Little Chaos; 24 x 18 cm; oil on canvas; 2017
    From the Series: My Little Chaos; 24 x 18 cm; oil on canvas; 2017
  • From the Series: My Little Chaos; 24 x 18 cm; oil on canvas; 2017
    From the Series: My Little Chaos; 24 x 18 cm; oil on canvas; 2017
  • From the Series: My Little Chaos; 24 x 18 cm; oil on canvas; 2017
    From the Series: My Little Chaos; 24 x 18 cm; oil on canvas; 2017
  • From the Series: My Little Chaos; 24 x 18 cm; oil on canvas; 2017
    From the Series: My Little Chaos; 24 x 18 cm; oil on canvas; 2017
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